<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-WMJGLKM8</identifier><date>2012</date><creator>Kotnik, Vlado</creator><relation>documents/doc/W/URN_NBN_SI_doc-WMJGLKM8_001.pdf</relation><relation>documents/doc/W/URN_NBN_SI_doc-WMJGLKM8_001.txt</relation><format format_type="issue">1</format><format format_type="volume">48</format><format format_type="type">article</format><format format_type="extent">str. 129-164</format><identifier identifier_type="ISSN">0580-373X</identifier><identifier identifier_type="COBISSID">49293154</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-WMJGLKM8</identifier><language>slv</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Muzikološki zbornik</source><rights>BY-SA</rights><subject language_type_id="eng">audience</subject><subject language_type_id="slv">družbena recepcija</subject><subject language_type_id="eng">high culture</subject><subject language_type_id="slv">ljudska kultura</subject><subject language_type_id="slv">občinstvo</subject><subject language_type_id="slv">opera</subject><subject language_type_id="eng">people's culture</subject><subject language_type_id="eng">popular culture</subject><subject language_type_id="slv">popularna kultura</subject><subject language_type_id="slv">visoka kultura</subject><title>Composers and audiences between high and popular culture</title><title>k teoriji in zgodovini družbene recepcije opere</title><title>Skladatelji in občinstva med visoko in popularno kulturo</title><title>towards a theory and history of social reception of opera</title></Record>