{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-WMJGLKM8/2fed4a23-80b5-465f-8eba-7cf173c4d391/PDF","dcterms:extent":"697 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-WMJGLKM8/f28ee030-46e2-44fe-91e3-d0dc139e3683/TEXT","dcterms:extent":"107 KB"}],"edm:TimeSpan":{"@rdf:about":"1965-2025","edm:begin":{"@xml:lang":"en","#text":"1965"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-WMJGLKM8","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-TGP90WRZ"},{"@xml:lang":"sl","#text":"Muzikološki zbornik"}],"dcterms:issued":"2012","dc:creator":"Kotnik, Vlado","dc:format":[{"@xml:lang":"sl","#text":"številka:1"},{"@xml:lang":"sl","#text":"letnik:48"},{"@xml:lang":"sl","#text":"str. 129-164"}],"dc:identifier":["ISSN:0580-373X","COBISSID:49293154","URN:URN:NBN:SI:doc-WMJGLKM8"],"dc:language":"sl","dc:publisher":{"@xml:lang":"sl","#text":"Znanstvena založba Filozofske fakultete"},"dc:subject":[{"@xml:lang":"en","#text":"audience"},{"@xml:lang":"sl","#text":"družbena recepcija"},{"@xml:lang":"en","#text":"high culture"},{"@xml:lang":"sl","#text":"ljudska kultura"},{"@xml:lang":"sl","#text":"občinstvo"},{"@xml:lang":"sl","#text":"opera"},{"@xml:lang":"en","#text":"people's culture"},{"@xml:lang":"en","#text":"popular culture"},{"@xml:lang":"sl","#text":"popularna kultura"},{"@xml:lang":"sl","#text":"visoka kultura"}],"dcterms:temporal":{"@rdf:resource":"1965-2025"},"dc:title":{"@xml:lang":"sl","#text":"Skladatelji in občinstva med visoko in popularno kulturo| Composers and audiences between high and popular culture| k teoriji in zgodovini družbene recepcije opere| towards a theory and history of social reception of opera|"},"dc:description":[{"@xml:lang":"sl","#text":"The article is based on a pondered outline of examples of the social reception of opera. Four models of the social reception of opera are exemplified: 1) Mozart, hybridism and divergent culture; 2) Wagner, avantgardism and high culture; 3) Meyerbeer, commercialism and popular culture; 4) Verdi, belcantism and people's culture"},{"@xml:lang":"sl","#text":"Članek predstavlja refleksiven pregled nekaterih primerov družbene recepcije opere. Pri tem so izpostavljeni štirje modeli družbene recepcije opere: 1) Mozart, hibridizem in divergentna kultura; 2) Wagner, avantgardizem in visoka kultura; 3) Meyeerber, komercializem in popularna kultura; 4) Verdi, belkantizem in ljudska kultura"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-WMJGLKM8","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-WMJGLKM8"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-WMJGLKM8/2fed4a23-80b5-465f-8eba-7cf173c4d391/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by-sa/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Univerza v Ljubljani, Filozofska fakulteta"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-WMJGLKM8/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-WMJGLKM8"}}}}