<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-XDLON6T7</identifier><date>2005</date><creator>Cobussen, Marcel</creator><relation>documents/znanstveni_clanki/muzikoloski_zbornik/html/urn_nbn_si_doc-xdlon6t7.html</relation><relation>documents/znanstveni_clanki/muzikoloski_zbornik/pdf/urn_nbn_si_doc-xdlon6t7.pdf</relation><relation>documents/znanstveni_clanki/muzikoloski_zbornik/txt/urn_nbn_si_doc-xdlon6t7.txt</relation><format format_type="main">16 strani</format><format format_type="issue">2</format><format format_type="volume">41</format><format format_type="type">article</format><format format_type="extent">str. 55-70</format><identifier identifier_type="ISSN">0580-373X</identifier><identifier identifier_type="COBISSID">239406848</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-XDLON6T7</identifier><language>eng</language><publisher>Filozofska fakulteta, Oddelek za muzikologijo</publisher><source>Muzikološki zbornik</source><rights>BY-SA</rights><subject language_type_id="slv">Debussy, Claude, 1862-1918</subject><subject language_type_id="slv">glasba</subject><subject language_type_id="slv">glasbena teorija</subject><subject language_type_id="eng">music</subject><subject language_type_id="slv">paratekst</subject><subject language_type_id="slv">tekst</subject><title>In(-)formations the meaning of paratextual elements in Debussy's Syrinx</title></Record>