438 KB48 KB427 KB51 KB198920252017Husukić, ErnaZejnilović, Eminaštevilka:1letnik:28str. 17-27, 96-106ISSN:0353-6483COBISSID_HOST:2842819URN:URN:NBN:SI:doc-XKK2V01CenslUrbanistični inštitut Republike SlovenijeUrbani izzividentitetamestaSarajevourbani prostorurbanistični razvojOkoljska estetika Sarajeva| a city shaped by memory| mesto, ki ga oblikujejo spomini| The environmental aesthetics of Sarajevo|This article discusses aesthetic singularity in present-day Sarajevo and shows how time generates a social response to the visual quality of space. Acknowledging the metamorphosis of the cityscape with regard to the identity reformulation of post-war Sarajevo, it examines the sensory engagement of people with the urban environment in relationship to the traumatic events and shifting realities imposed by globalisation. The hypothesis is that the environmental aesthetics of post-war cities are defined by the traumatic memory of physical and social destruction. This article offers insight within a broad range of theoretical discussions on the changes in the visual language and aesthetic quality of urban spaces in post-war Sarajevo. In particular, it presents the notion of urban memory and its role in shaping the aesthetic experience in postwar cities. Finally, the findings show that architectural remnants, or ruins in the urban fabric, instead of being unstable entities, have the potential to become drivers of a continuum. Ultimately, this article accepts the values of incompleteness and opens new perspectives towards playful experimentation, which potentially relieves the aesthetic experience of a rigid and monotonous urban imageV članku avtorici obravnavata estetsko posebnost zdajšnjega Sarajeva in pokažeta, kako čas ustvarja družbeni odziv na vizualno kakovost prostora. Ob upoštevanju preobrazbe mestne krajine z vidika preoblikovanja identitete povojnega Sarajeva proučujeta senzorični stik ljudi z mestnim okoljem v povezavi s travmatičnimi dogodki in spreminjajočo se realnostjo, ki jo vsiljuje globalizacija. Njuna hipoteza je, da okoljsko estetiko povojnih mest določa travmatični spomin na fizično in socialno uničenje. Raziskava daje vpogled v različne teoretične razprave o spremembah vizualnega jezika in estetske kakovosti mestnega prostora v povojnem Sarajevu ter predstavi pojem urbanega spomina in njegovo vlogo pri oblikovanju estetske izkušnje v povojnih mestih. Končne ugotovitve kažejo, da lahko arhitekturni ostanki ali razvaline v mestnem tkivu namesto nestabilnih enot postanejo gonilo kontinuitete. Avtorici na koncu sprejmeta nedokončanost v prostoru kot pozitivno vrednoto in odstira nov pogled na igrivo eksperimentiranje, ki lahko izboljša estetsko izkušnjo toge in monotone mestne podobeTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaUrbanistični inštitut Republike Slovenije