<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-XKL6JED6/9bfcca82-9f0a-43ff-b6d4-b1d31af1d7ad/PDF"><dcterms:extent>297 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-XKL6JED6/d7cf4183-1acc-43d9-b631-97d722a9b25d/TEXT"><dcterms:extent>27 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1955-2025"><edm:begin xml:lang="en">1955</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-XKL6JED6"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-2SDQL3ET" /><dcterms:issued>2015</dcterms:issued><dc:creator>Stekar, Daniela</dc:creator><dc:format xml:lang="sl">številka:2</dc:format><dc:format xml:lang="sl">letnik:60</dc:format><dc:format xml:lang="sl">str. 17-25, 155</dc:format><dc:identifier>ISSN:0021-6933</dc:identifier><dc:identifier>COBISSID:57824098</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-XKL6JED6</dc:identifier><dc:language>sl</dc:language><dc:publisher xml:lang="sl">Slavistično društvo Slovenije</dc:publisher><dcterms:isPartOf xml:lang="sl">Jezik in slovstvo</dcterms:isPartOf><dc:subject xml:lang="sl">"Zlata poroka ali Tržaški blues"</dc:subject><dc:subject xml:lang="sl">avtobiografska metoda</dc:subject><dc:subject xml:lang="sl">kratka proza</dc:subject><dc:subject xml:lang="sl">narodna identiteta</dc:subject><dc:subject xml:lang="en">Slovene literature</dc:subject><dc:subject xml:lang="sl">slovenska književnost</dc:subject><dc:subject xml:lang="sl">slovenska zamejska književnost</dc:subject><dc:subject xml:lang="sl">Umek, Evelina, 1939-</dc:subject><dc:subject rdf:resource="http://www.wikidata.org/entity/Q19934491" /><dcterms:temporal rdf:resource="1955-2025" /><dc:title xml:lang="sl">Sestavljene narodne identitete v romanu Eveline Umek Zlata poroka ali Tržaški blues|</dc:title><dc:description xml:lang="sl">In terms of methodology, the present article is based on literary imagology and autobiographic methodology. The object of the study was Evelina Umek's novel The Golden Wedding or The Blues of Trieste) (Zlata poroka ali Tržaški blues), in which many characters with a composite identity were identified. A composite national identity typology was defined and used as the basis for the typological definition of the literary subjects of the novel. The argumentation was based on the basic definitions of national identities by postcolonial theorist Homi K. Bhabha and social psychologist John W. Berry. The continuation focuses on the composite identity of the Slovenian fictional characters living in Trieste, comparing them with the fixed Slovenian identity type. It was concluded that the fictional characters who identify themselves more with Slovenes are depicted more positively than those predominantly assuming an Italian identity: the more Italian their identity, the more they are portrayed in a negative light</dc:description><dc:description xml:lang="sl">Prispevek metodološko izhaja iz literarne imagologije in (avto)biografske metode. Preučevala sem roman Eveline Umek Zlata poroka ali Tržaški blues, v katerem sem zaznala številne literarne like s sestavljeno narodno identiteto. V ta namen sem najprej oblikovala tipologijo sestavljenih narodnih identitet, na osnovi katere sem tipološko opredelila literarne like. Pri tem sem izhajala iz osnovne razdelitve narodnih identitet postkolonialnega teoretika Homija K. Bhabhe in socialnega psihologa Johna W. Berryja. V nadaljevanju me je zanimalo, kakšna je podoba tržaških Slovencev s sestavljeno identiteto kot literarnih likov s fiksno slovensko identiteto. Ugotovila sem, da so liki, ki se v večji meri identificirajo s Slovenci, bolj pozitivni od likov, ki se v večji meri identificirajo z italijanskim narodom. Bolj se njihova identiteta približuje italijanski identiteti, bolj je njihova podoba prikazana v negativni luči</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-XKL6JED6"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-XKL6JED6" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-XKL6JED6/9bfcca82-9f0a-43ff-b6d4-b1d31af1d7ad/PDF" /><edm:rights rdf:resource="http://rightsstatements.org/vocab/InC/1.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Slavistično društvo Slovenije</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-XKL6JED6/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-XKL6JED6" /></ore:Aggregation></rdf:RDF>