<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-YD6Q2QIB</identifier><date>2017</date><creator>Salmič Kovačič, Karmen</creator><relation>documents/doc/Y/URN_NBN_SI_doc-YD6Q2QIB_001.pdf</relation><relation>documents/doc/Y/URN_NBN_SI_doc-YD6Q2QIB_001.txt</relation><relation>http://www.dlib.si/listalnik/URN_NBN_SI_DOC-YD6Q2QIB/index.html</relation><format format_type="issue">1</format><format format_type="volume">53</format><format format_type="type">article</format><format format_type="extent">str. 121-141</format><identifier identifier_type="ISSN">0580-373X</identifier><identifier identifier_type="COBISSID">93999873</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-YD6Q2QIB</identifier><language>slv</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Muzikološki zbornik</source><rights>BY-SA</rights><subject language_type_id="slv">20.st.</subject><subject language_type_id="slv">adornovska zmota</subject><subject language_type_id="slv">glasba</subject><subject language_type_id="slv">glasbeni modernizem</subject><subject language_type_id="slv">klasicistični modernizem</subject><subject language_type_id="slv">neoklasicizem</subject><title>Donedavno pojmovanje glasbenega modernizma - "adornovska zmota"?</title><title>The until recently prevailing concept of musical modernism - "Adornian mistake?"</title></Record>