689 KB70 KB0 KB196520252017Salmič Kovačič, Karmenštevilka:1letnik:53str. 121-141ISSN:0580-373XCOBISSID:93999873URN:URN:NBN:SI:doc-YD6Q2QIBslZnanstvena založba Filozofske fakulteteMuzikološki zbornik20.st.adornovska zmotaglasbaglasbeni modernizemklasicistični modernizemneoklasicizemDonedavno pojmovanje glasbenega modernizma - "adornovska zmota"?| The until recently prevailing concept of musical modernism - "Adornian mistake?"|The paper explores one of the key findings of the until recently prevailing view on music history and modernism in the music of the 20th century as being a national and ideological construct, conceived by the supporters of the self-proclaimed mainstream of the Second Viennese School. In current musicological literature, the aforementioned construct is frequently being criticized. We designated this an "Adornian mistake". Slovenian musicologists have also fallen victim to this misunderstanding, which simply confirms the widespread intercultural prevalence of the phenomenonPrispevek obravnava eno ključnih spoznanj o dosedanjem pojmovanju glasbene zgodovine in modernizma v glasbi 20. stoletja kot nacionalno in ideološko pogojenem konstruktu s strani zagovornikov samooklicanega mainstreama novodunajske šole, ki je v najsodobnejši muzikološki literaturi deležen vse pogostejše kritike. Poimenovali smo ga "adornovska zmota". Žrtev le-te smo bili tudi slovenski muzikologi, kar samo potrjuje široko medkulturno razširjenost omenjenega fenomenaTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaUniverza v Ljubljani, Filozofska fakulteta