<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-YRRK2O7M</identifier><date>2024</date><creator>Kukuljevic, Alexi</creator><relation>documents/doc/Y/URN_NBN_SI_doc-YRRK2O7M_001.pdf</relation><relation>documents/doc/Y/URN_NBN_SI_doc-YRRK2O7M_001.txt</relation><format format_type="issue">1</format><format format_type="volume">45</format><format format_type="type">article</format><format format_type="extent">str. 219-241</format><identifier identifier_type="ISSN">0353-4510</identifier><identifier identifier_type="DOI">10.3986/fv.45.1.09</identifier><identifier identifier_type="COBISSID">220484867</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-YRRK2O7M</identifier><language>eng</language><publisher publisher_location="Ljubljana">Filozofski inštitut ZRC SAZU</publisher><source>Filozofski vestnik</source><rights>BY-SA</rights><subject language_type_id="slv">estetika</subject><subject language_type_id="slv">neumnost</subject><subject language_type_id="slv">smisel</subject><subject language_type_id="slv">umetnost</subject><title>Absense, or the extimate place of art</title></Record>