<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-ZJT0MKHS</identifier><date>2021</date><creator>Mudretska, Liliia</creator><creator>Vasylenko, Olha</creator><relation>documents/doc/Z/URN_NBN_SI_doc-ZJT0MKHS_001.pdf</relation><relation>documents/doc/Z/URN_NBN_SI_doc-ZJT0MKHS_001.txt</relation><format format_type="issue">2</format><format format_type="volume">57</format><format format_type="type">article</format><format format_type="extent">str. 105-126</format><identifier identifier_type="ISSN">0580-373X</identifier><identifier identifier_type="DOI">10.4312/mz.57.2.105-126</identifier><identifier identifier_type="COBISSID">150318595</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-ZJT0MKHS</identifier><language>eng</language><publisher publisher_location="Ljubljana">Založba Univerze v Ljubljani</publisher><source>Muzikološki zbornik</source><rights>BY-SA</rights><subject language_type_id="slv">glasbena dramaturgija</subject><subject language_type_id="slv">holodomor</subject><subject language_type_id="slv">spominski festivali</subject><subject language_type_id="slv">tragične podobe</subject><subject language_type_id="slv">Ukrajina</subject><subject language_type_id="slv">ukrajinski skladatelji</subject><subject language_type_id="slv">velika lakota (glasbeni motiv)</subject><title>historical projections of the art of contemporary composers</title><title>The subject of Holodomor in the Ukrainian artistic space</title></Record>