<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-ZVPZD1B0</identifier><date>2012</date><creator>Erjavec, Simona</creator><relation>documents/doc/Z/URN_NBN_SI_doc-ZVPZD1B0_001.pdf</relation><relation>documents/doc/Z/URN_NBN_SI_doc-ZVPZD1B0_001.txt</relation><format format_type="issue">1/2</format><format format_type="volume">44</format><format format_type="type">article</format><format format_type="extent">str. 57-79</format><identifier identifier_type="ISSN">0587-5161</identifier><identifier identifier_type="COBISSID">512849280</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-ZVPZD1B0</identifier><language>slv</language><publisher>Društvo psihologov Slovenije</publisher><publisher>Slovensko filozofsko društvo</publisher><source>Anthropos (Ljubljana)</source><rights>InC</rights><subject language_type_id="eng">art of painting</subject><subject language_type_id="slv">fenomenologija</subject><subject language_type_id="slv">likovna teorija</subject><subject language_type_id="slv">Merleau-Ponty, Maurice, 1908-1961</subject><subject language_type_id="slv">slikarstvo</subject><subject language_type_id="slv">spoznavna teorija</subject><title>Maurice Merleau-Ponty</title><title>slikarstvo kot paradigma predrefleksivnega izkustva</title></Record>