371 KB132 KB196520252014Walter, Michaelštevilka:1letnik:50str. 5-38ISSN:0580-373XCOBISSID:55058530URN:URN:NBN:SI:doc-ZWDACK22deZnanstvena založba Filozofske fakulteteMuzikološki zbornik1848AttilaGhislanzoni, Antonio, 1824-1893ItalijaItalyNabuccoopera in politikarevolucijarisorgimentoVerdi, Giuseppe, 1819-1901zedinjenje ItalijeVerdis Opern und der Risorgimento| Verdijeve opere in risorgimento|The thourough analysis of historical sources from the beginning of the year 1859 shows that the famous acrostic VIVA VERDI was not only widely known in Italy but also throughout Europe. However, it was not associated with any political activities of the composer Giuseppe Verdi. The reason is that Verdi's operas already during the revolutionary months of 1848 were not understood as political "Risorgimento" operas. The causes for political demonstrations during performances of Verdi's operas were either coincidentally or provoked by political circumstances which were independent of the operas. Verdi's operas were, in any case, not the causes of spontaneous patriotic emotionsPodrobna analiza zgodovinskih virov, začenši z letom 1859, kaže, da znameniti akrostih VIVA VERDI niso poznali le v Italiji ampak tudi po vsej Evropi. Vendar pa ni bil povezan s kakršnimikoli političnimi aktivnostmi G. Verdija, in sicer zato, ker Verdijeve opere že v času revolucijskih mesecev v letu 1848 niso bile razumljene kot politične opere risorgimenta. Vzroki političnih demonstracij ob izvedbah Verdijevih oper so bili ali koincidentni ali pa so jih povzročile politične okoliščine, ki so bile neodvisne od samih oper. Vsekakor drži dejstvo, da Verdijeve opere niso bile vzrok za spontana patriotična čustvaTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaUniverza v Ljubljani, Filozofska fakulteta