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V tem taktu s počasnim glissando® vsak izmed violončelistov začne pri C in potem konča ob koncu takta vsak za pol tona višje, začenši z Es^ kontrabasisti pa imajo glissando navzdol, začenši s EL in z najvišjim koncem na Aš-,. Ta takt naj zato traja toliko časa, da so ob koncu takta vsi grozdi postavljeni, t.j. pri vic. od C navzgor, pri^cb. od H, navzdol, povsod po poltonih, tako daleč, kolikor je pač izvajalcev, če so pa samo 3 vic. in 2 cb., naj ta takt traja samo 2/4, grozd pri vic. in cb. pa ostane isti kot v prejšnjih taktih.
Ta grozd ima kot iztočnico c’ pri zadnji^vi.11$, vsaka od ostalih vi.II. igra pol tona više, nadaljujejo pa prav tako po pol tonih vl.I.% najvišja vla. ima h, vse ostale navzdol po poltonih, nadaljujejo vic. in dalje cb. - kolikor instrumentov p^p je, tako obsežen je grozd.
Kotni grozd od e’ navzdol po poltonih.
Notni grozd od Eis navzgor po poltonih.
In this bar with slow glissando each of the violoncellists starts with C and then finishes at the end of the bar for semi-tone higher, starting with E flat, the glissando of the double bassists goes downwards, starting wifeh then each of them finishes at the end of the^bar for semi-tone lower, starting with flat. This bar (aoj therefore lasts so long, that at the end of the far all the clusters are set up, this is, at vie. from G upwards, at cb. from downwards, everywhere for semi-tone, so far, ^s^many performers are there. If there are only 3 vie. and 2 cb. do this bar lasts only 2/4, but the cluster at vie. and cb. stays the same as inyformer bars.
This cluster has its starting-pont c* at the last of the Il.vl.i each of the rest of the II.vl, plays a semi—tone higher, but the vl. I. also continue for semiTtones. The I. viola plays B, all the rest downwards for semi-tones, but the violoncellists and double bassists also continue for semi-tones. As many players appear, so extensive is the cluster, This cluster from e* downwards for semi-tones.
This cluster from P sharp upwards for semi-tones.